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Biography of Igor Fedorovich Stravinsky

Name: Igor Fedorovich Stravinsky
Birth Date: June 17, 1882
Death Date: April 6, 1971
Place of Birth: Oranienbaum, Russia
Nationality: American, French, Russian
Gender: Male
Occupations: composer


Igor Fedorovich Stravinsky

The Russian-American composer Igor Fedorovich Stravinsky (1882-1971) identified himself as an "inventor of music." The novelty, power, and elegance of his works won worldwide admiration before he was 30. Throughout his life he continued to surprise admirers with transformations of his style that stimulated controversy.Every aspect of music was renewed again and again in the work of Igor Stravinsky. Rhythm was the most striking ingredient, and his novel rhythms were most widely imitated. His instrumentation and his ways of writing for voices were also distinctive and influential. His harmonies and forms were more elusive. He recognized melody as the "most essential" element. Even if his rhythm and his sheer sound sometimes seemed independent of melody, stimulating composers like Edgard Varèse, Olivier Messiaen, Elliott Carter, Pierre Boulez, and Karlheinz Stockhausen to explore further possibilities of such independence, Stravinsky's own works constituted integral melodies, as much as Claude Debussy's or Ludwig …showed first 150 words

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showed last 150 words…so than those super-turnpikes on which the traffic has yet to discover that the race is not always to the swift." Associated Works Rite of Spring (Ballet) Further Reading With his Autobiography (1936), Stravinsky became an important writer on music. His Poetics of Music (1942; translated by Arthur Knodel and Ingolf Dahl, 1947) is his most systematic literary work, unique among discussions of music for its authority and scope. But these books, he said later, were "much less like me, in all my faults, than my conversations," which he compiled in collaboration with Robert Craft in a series of volumes: Conversations (1959), Memories and Commentaries (1960), Expositions and Developments (1962), Dialogues and a Diary (1963), Themes and Episodes (1966), and Retrospectives and Conclusions (1969).The most comprehensive collection of facts about his life and all his works is Eric W. White, Stravinsky (1966). Other studies include Heinrich Strobel, Stravinsky: Classic Humanist (1955); Roman Vlad, Stravinsky (trans. 1960; repr. 1968); and Robert Siohan, Stravinsky (1969).